I have been awarded a great commission for FotoDocument and Photoworks in Brighton, working in partnership with BioRegional and Brighton & Hove City Council. The project will focus on the One Planet LivingPrinciple of Sustainable Water, and the images will be exhibited as part of the Brighton Photo Biennial 2014.
Find out more information in the press release here.
Here’s a tearsheet from a recent shoot I did for Wired Italia. The portrait is of Daniele Bigi, an Italian CG artist working for MPC in London. Wired wanted Daniele photographed in front of a traditional red telephone box as the article was about Italians living in London.
My documentary series Electrosensitive: Outliers in a Wireless World is featured in this month’s influential Vision magazine in China. See the tearsheets below. I recommend checking out the iPad version of their magazine as they have some very creative design features.
Images from my Athabasca series are to be exhibited as part of a group show called Survive at The London College of Communication. The exhibition forms part of Green Week and will be open to the public from the 6th-16th February. The Private view will be on the 12th February. See the Press Release below for more details.
There will also be a debate held at the college from 2.30-5.30pm before the private view, discussing the role of the media in campaigning for social change and environmental awareness. Booking is required. Details here.
This is another long overdue post. Above and below are some images and tearsheets from a few of the commissions I’ve had recently. The first is of the film producer David Heyman, best known for producing the Harry Potter films and more recently for Gravity with Sandra Bullock and George Clooney. I photographed David at Claridges in London.
John Griffith worked with the Safe Water Trust to develop the Aquafilter, which is a very cleverly designed pump for purifying water in emergency situations. The filter is distributed by humanitarian aid agencies around the World. I photographed John at The Tabernacle in Notting Hill.
The portrait below is of ‘social entrepreneur’ Paul Hilder. Paul founded opendemocracy.net, co-founded 38 Degrees, helped launch Avaaz.org in 2007, was Director of Campaigns for Oxfam and is now the Vice President of Global Campaigns at Change.org. I photographed him on Old Street in London for Wired Magazine (Italy).
My Electrosensitive series continues to gain more exposure. I have been invited to screen my short film at Reframe, a documentary film festival in Canada in January 2014. I will post up details of screening venue and times when they come available on facebook and twitter. I also have some portraits from the series on show in Salon/13 at Photofusion Gallery in Brixton in London. The exhibition is running in collaboration with Hotshoe Magazine and is on show from the 12th December to the 24th January 2014.
Below are a few photos from my pop-up exhibition Portraits of a High Street which was held in Cricklewood in North West London at the end of September. The exhibition was of 150 framed portraits of business owners in Cricklewood. As explained in my previous post, the project was a commission for Gort Scott and The Mayor of London’s Outer London Fund to help regenerate high streets around the capital. The exhibition was held at Navruz in Cricklewood in conjunction with Spacemakers, Polimekanos and the Cricklewood Improvement Programme.
Each portrait was framed and mounted with a bespoke laser cut Cricklewood mount. After the exhibition finished, each framed print was distributed to the businesses that took part in the project to create a long-term exhibition of the photos.
Note: I will be in Australia from the 12th December to the 6th January 2014. I will be answering emails while I am away and will endeavour to reply as quickly as possible.
I’ve been working on some interesting and varied assignments over the past couple of months, while also continuing work on my documentary series on Electrosensitivity. Here are a few snippets of what I’ve been up to.
The portrait above is of Irish actor Aidan Gillen, shot for the The New Review Magazine in the Independent on Sunday. He’s well known for his roles in The Wire, Queer as Folk, Love Hate and most recently Game of Thrones. I photographed him in my old home town of Dublin. I had read that he doesn’t enjoy having his photograph taken so I wasn’t sure what to expect when we met. However, thankfully he was very generous with his time and was a real pleasure to work with. You can read the interview with him here.
The last image deserves some sort of explanation. Before the shoot, when we were discussing what clothes Aidan should wear, he suggested that he bring a witch’s hat along with him. I had assumed he was joking, until he turned up at the studio with a hat and wig and said he wanted to try them out in one of the set ups. Despite playing some unsavoury characters on screen, it was nice to know he had a good sense of humour!
I was also recently commissioned to write an article about my project Electrosensitive for Photoworks. They commissioned three articles to coincide with the Brighton Digital Festival 2013 to offer ‘varied responses to questions on photography and digital culture.’ You can read my essay Outliers in a Wireless World … here. I am continuing work on the second phase of Electrosensitive and am hoping to have some interesting updates before the end of the year.
The Royal Photographic Society’s 156th International Print Exhibition which I have images in has just moved to The Civic Gallery in Barnsley. The exhibition will be on show there until the 1st November. It then moves to the Michael Heseltine Gallery in Oxfordshire on the 11th November until the 13th December. Go check out the exhibition if you’re near either of those venues at those times.
150 portraits of mine from a recent commission for The Mayor of London’s Outer London Fund will go on show next Thursday 26th September, at a pop-up Exhibition on Cricklewood Broadway in North West London. The exhibition will run in conjunction with Spacemakers’ innovative Mobile Town Square, which you can read more about in this Creative Review article. I will post up details of the time and location on twitter and facebook so keep an eye out there for updates. [UPDATE – 7/10/13: You can see images from the pop-up exhibition on my Facebook page here].
Lastly, I recently finished a very interesting and insightful book called The Spirit Level. I’m sure many of you will have heard of it before as it made quite a stir when it was first published in 2009. It has some very hard hitting truths about inequality in the UK and many other developed countries. The book is not without its critics, but I’d highly recommend it if you haven’t read it already. There is now a documentary film in the making to follow on from the book.
I will post up images from other recent assignments for Wired Magazine and Skype in my next post.
For the last few weeks I’ve been busy working on a large commission for the Mayor of London’s Outer London Fund. I will explain more when the images are out in the public domain. In the meantime here are some portraits from two other recent commissions. The first image is a portrait of historian Katy Layton-Jones photographed in the disused subway entrance into Crystal Palace Park in south London – an amazing space that local residents are campaigning to get reopened to the public.
The second is a portrait of up-and-coming musician Rafael Rozenson.
This is an excerpt from a short film I’m making about people who suffer from Electromagnetic Hypersensitivity (EHS).
This video and my photographs were shown on the Guardian website and were also published in the Weekend Magazine on the 30th March 2013 (see tear sheets below).
You can view more of the portraits from the project on my website.
I hope to screen the full version of the film alongside an exhibition of the photographs later this year. For more details keep a look out on my blog or follow me on twitter
I have had an incredible response to my project Electrosensitive: Outliers in a Wireless World since it was published online and in the Guardian weekend magazine at the end of March, with people getting in touch from all round the world. However, there has been some confusion as to whether this project was commissioned by the Guardian or whether it was initiated by me. So, just to clarify, I self initiated this project back in early 2012 and self funded it entirely. I brought the complete project – interviewees, photos and video excerpt – to the Guardian. They then commissioned Nicholas Blincoe to write an article about EHS, and as part of that he spoke to a selection of people who have taken part in my ongoing documentary.